隹聿设计 | 内述

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  探索事物于不同角度的发散认知,以相对述平化的方式

  来阐述其内在诸多的复杂可能性,挖掘更多不同的生活方式探讨和对人性的再思考,让空间更具可考究及情感共鸣的建立......

  Explore the divergent cognition of things from different angles, in a relatively flat way To elaborate its internal many complex possibilities, explore more different ways of life and re-thinking of human nature, so that the space can be more exquisite and the establishment of emotional resonance......

  此项目位于浙江省永嘉县的跃层结构，

  建筑面积约为170平方，南向环绕江景，视野较佳。

  还记得最初沟通阶段的业主描述：“自己特别钟爱开放式厨房，之前户型结构及面积并未能满足，也算是自己比较期许的点位，希望它可以被呈现”。

  包括会客区和就餐区的南向定位，业主也有向我们阐述虚拟的日常情景，并希望可以把这些愿景纳入到空间的考量当中，也是综合了外部环境的视野考虑，尽量减少公区的

  阻隔动线，让通风和采光条件可以实现最优。

  Located in a loft structure in Yongjia County, Zhejiang Province,

  The building area is about 170 square meters, with a view of the river in the south.

  I still remember the description of the owner in the initial stage of communication: "I am particularly fond of the open kitchen, and the structure and area of the house were not satisfied before. It is also the point I expected, and I hope it can be presented".

  Including the south orientation of the reception area and the dining area, the client also explained the virtual daily scenes to us, and hoped that these visions could be incorporated into the spatial consideration, and also integrated with the view of the external environment, so as to minimize the public area.

  Block moving lines, so that ventilation and lighting conditions can achieve optimal.

  关于门厅及烹饪区的处理，可能更多的还是围绕日常的便捷可操作性为主，居住者本身在这样的分区内可以被记录更多的日常，借由柜体的延伸及天花连贯性，引导行为走动到过道及就餐区，地台的转折考虑，也为动线提供了很好的指示作用，让视觉可以随形式而变换不同的情景模拟，由就餐区看向公区的视野无阻碍性，多以低位物件为主导，确保视线的舒适性，来提高居宅的品质诉求。

  About the hall and the processing of cooking area, may be more convenient operability or around everyday, habitant itself in such a partition can be recorded more everyday, by the extension of cabinet put oneself in another's position and smallpox consistency, walk to the aisle guide behavior and repast area, the turning point of platform, as well as dynamic line provides a good indication role, So that the vision can be changed with the form of different scene simulation, from the dining area to the public area of vision without obstruction, mostly low objects as the dominant, to ensure the comfort of the line of sight, to improve the quality of residential appeals.

  门厅及烹饪区的地材分界，借此来强化材质的延伸及空间的穿透性，拉伸视觉的扩增区域，再借助面体的转换概念，让空间呈现逐渐递减的视觉引导性，同时也区隔了左右开间的日常交互方式情景。

  也是考虑形体的控制程度，故在立面及天花的处理上更多的借助了原有的结构性条件，诸如梁位，设备空间的色度区块，来让天花的层次变化可以过渡的更为丰富。

  The material boundary of the foyer and the cooking area is used to strengthen the extension of the material and the penetration of the space, stretch the amplification area of the vision, and with the help of the conversion concept of the surface volume, the space presents gradually decreasing visual guidance, and also separates the daily interaction between the left and right sides.

  It is also to consider the degree of control of the form, so in the treatment of the facade and ceiling, more use of the original structural conditions, such as beam position, equipment space chroma block, to make the change of the ceiling level can transition more rich.

  再表示，室内除满足正常的收纳条件以外，在空间的处理阶段，务必克制及有结合的来考量空间对外所要表达的呈现，尽量来扩增内开间的尺度舒适度。

  相对于2F的私密区域，业主表示内开间尺度偏宅，除马桶区域外的隔间是否可以实现开放，包括衣帽区的区域也是要具备。

  Furthermore, in addition to meeting the normal storage conditions, the indoor space must be restrained and combined in the processing stage to consider the external presentation of the space to be expressed, and try to expand the scale comfort of the inner compartment.

  Compared with the private area of 2F, the owner expresses that the size of the inner cubicle is too close to the house. Whether the compartment outside the toilet area can be open, including the clothing and hat area should also be available.

  木地板延伸至餐桌旁的操作区，形成了半包围式的心理暗示，结合转折柜体的L型延伸，让视觉也起到了丰富的转折体验，拉近了相邻区间的开间及心理尺度。

  Wooden floor extends to the operation area next to the table, forming a semi-enclosed psychological hint, combined with the L-shaped extension of the turning cabinet body, so that the vision also played a rich turning experience, close the adjacent interval of the compartment and psychological scale.

  思考空间所停留的印迹，用日常来叙述其所要对外表达的隐晖。

  摒弃过多的设计语言传送，让常态作为引导，来梳理空间与间隔所发生的更多可能性，突破最初的框架也打破其固有的生活面貌。

  Thinking about the space stays in the imprint, with daily to describe its external expression of hidden hui.

  Abandon too much design language transmission, let normality as a guide to sort out more possibilities of space and interval, break through the original frame and break its inherent life appearance.

  ‘基于对常规概念的有反向思考’

  'thinking in The Opposite Direction of conventional concepts'

  在对立的矛盾中去寻求秩序

  的媒介，并伴随对应的贯穿逻辑，来传达更为多层次的精神诉求，过程中

  更强调持续性的有反向思维。

  To seek order in the midst of opposing contradictions

  The media, accompanied by the corresponding throughout the logic, to convey a more multi-level spiritual appeal in the process

  More emphasis on continuity and reverse thinking.

  借由地台的连接，转而到楼梯区域，

  以独立单体为镂空考虑，钢架外包白色石材，外部装饰固定件，

  通过透明玻璃来区隔与公区的关系，由低到高的包裹性释放，可被视作独立的

  单体存在，也可适宜的关联到整体区域。

  By connecting the platform to the staircase area,

  Consider the independent monomer as hollow out, steel frame with white stone, external decoration fixtures,

  Separated from the public area by transparent glass, the enveloping release from low to high can be seen as independent

  The presence of monomers can also be appropriately associated with the whole area.

  ‘结合所处者行为的思维审视’

  'think in terms of the behavior of the person in the situation'

  在日常与空间所关联的间隙中寻求更多的触碰方式可能性，再结合多维的逻辑探讨，使其可以从形式或机能上被附以新的二次定义。

  It seeks for more possibilities of touch modes in the gaps associated with daily life and space, combined with multi-dimensional logic discussion, so that it can be attached with a new secondary definition in form or function.

  柜体未到顶的处理，在沟通阶段也是再三跟

  业主阐明我们所要表达的初想，‘释放天花’，让空间的面体概念可以更为

  强化，不再拘泥任何一种固有的形式，作为连接就餐区及门厅区的转折柜体，让动线引导的更为顺畅。

  Cabinet not to the top of the processing, in the communication stage is also repeated with

  The client clarified what we wanted to express in the beginning, 'release smallpox', so that the concept of the plane of the space can be more

  Aggrandizement, no longer stick to any kind of inherent form, as connecting repast area and vestibular area turning cabinet body, let move line to guide more smoothly.

  ‘任何事物发展的两面性侧重，冲突与矛盾。’

  'The duality of any development focuses on conflict and contradiction. '

  以自诉的方式来寻求所处者与空间所要

  建立的情绪联系，使其更自然的连贯整体，让彼此空间所建立的

  介质以所处者为主导。

  In the way of self-prosecution to seek the place and space

  Establish emotional connections to make them more naturally coherent as a whole, allowing each other space to be established

  The medium is dominated by the one it is in.

  ‘伴有反思的心态去验证

  空间的切实可操作性，归于实际，归于体验。’

  'with a reflective mindset to validate the Operability of space, to be practical, to be experiential. '

  让回归的意义更落实到日常和更为

  平凡的事件，让空间更具可考究及情感共鸣的建立。

  Make the meaning of return more practical and more everyday

  Ordinary events make the space more accessible and establish emotional resonance.

探讨日常与空间所关联的互动

间隙，进而提升私宅对外所阐述的情感共鸣点位以及对于验证空间所处者

的常态反馈。

Explore the interaction between daily life and space

In order to enhance the emotional resonance of the private house as well as the verification space

Normal feedback.

  以相对的方式作为切入来对室内空间进行理性

  的梳理和重组，再对其反向型推论，使其逻辑及脉络更为达顺，来加强其实际的

  可落地性及说服力。

  In a relative way as a cut to the interior space for rational

  Combing and reorganization, and then the reverse type of inference, so that its logic and context more smooth, to strengthen its actual

  Landing and persuasiveness.

  ‘凝视，是重新

  思考视觉自身的真正品质。’

  'To gaze is to rethink the true quality of vision itself. '

  从居住者的角度来审视所处空间的

  有结合性，有反向的思考人与空间的更多交互可能性，而不是有失衡的偏向合理与否。

  View the space from the perspective of the occupant

  There is integration, and there is reverse thinking about the possibility of more interaction between people and space, rather than unbalanced bias towards rationality or not.

项目平面图

  项目名称：内述

  Project name: stated

  项目地址：浙江.永嘉

  Project  location: Zhejiang. Yongjia

  主创及设计团队：隹聿设计工作室

  Creation and Design Team: atelier_zyu

  主创设计师：兰斯

  Lead designer: lance

  协案设计：王利勇

  Contract Design: Wang li yong

  建筑面积：170 m²

  Building area: 170 m²

  摄影师：吴昌乐

  Photographer: Wu Changle

  关于我们/ About Us

  兰斯/ 隹聿设计工作室创办人 / 设计总监

  成立于2021年的隹聿设计工作室‘atelier_zyu’,涉足室内建筑及商业空间等领域类型，致力于探索事物于不同角度的发散认知，以相对述平化的方式来阐述其内在诸多的复杂可能性，借此来挖掘更多维度的设计思考和探讨。

  Atelier_zyu ，founded in 2021,

  Set Foot in the indoor architecture and commercial space and other types of fields, committed to exploring things in different angles of divergent cognition, in a relatively flat way to elaborate its inherent many complex possibilities, take this as a way to explore more dimensions of design thinking and discussion.

  相关理念/ Related Concept

  于通过室内建筑的方式来梳理内络和结构，再对其界限进行重组和再打破，借助既定的格局来强化对相关设计语言的引导性叙述，也意在为项目注入更多的可对外传输点，以此来更有效的反馈到对自身空间的操作性思考。

  不设内与外的精准界限，试图通过再结合的方式来连接人与空间，人与人及人与环境的情感维系，也透过更多维的角度发散去重拾日常所被忽略的断层，让回归的意义更落实到日常和更为平凡的事件，再通过我们自己的方式去挖掘更多不同的生活方式探讨和对人性的再思考，让空间更具可考究及情感共鸣的建立。

  By means of indoor architecture, the inner network and structure can be sorted out, and then the boundaries can be reorganized and broken down again. By means of the established pattern, the guiding narration of relevant design languages can be strengthened, it is also intended to inject more external transfer points into the project, so as to more effectively feed back into the operational thinking of its own space.

  There is no precise boundary between inside and outside, trying to connect people with space, people with people and the emotional relationship between people and the environment through a combination of ways, but also through a more dimensional perspective to rediscover the daily neglected fault, let the meaning of return more into the daily and more ordinary events, then through our own way to explore more different ways of life and re-thinking of human nature, so that the space can be more meaningful and emotional resonance.

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