瑀空间ASTRA ART携手Delvis启幕新展《辽阔的低语》

《辽阔的低语》

艺术家：

陈梓骐、黄龙、林懋、楼烨、孟阳阳、

于方、周圆、朱剑辰、兹德内克·康瓦利纳

展期：2025.8.2-2025.10.25

地址：上海市黄浦区思南路86号

  瑀空间ASTRA ART携手意大利艺术家具品牌Delvis，于2025年8月2日联合呈现全新展览《辽阔的低语》。此次展览将当代艺术作品置入Delvis上海旗舰店的真实家居场景之中，通过艺术的凝视，引发艺术与生活的共鸣。使居所不只是功能性的空间，而成为情感与记忆的载体。展览汇聚九位来自不同世代与语境的当代艺术家：陈梓骐、黄龙、林懋、楼烨、孟阳阳、于方、周圆、朱剑辰、兹德内克·康瓦利纳，以绘画、装置、雕塑等多元媒介，在意式生活空间中，共同探讨“家”作为精神场域与情感容器的当代表达。展期将持续至10月25日。

  如果把“家”看作是未完成的画作，每一缕阳光都将为其添加一抹色彩，每一轮弦月都为画面的叙事注脚。我们以“家”为原点，以“艺术”为半径，探索时间在居所中的沉淀、记忆在画布间的流转，以及情感在私密与公共性之间的微妙张力，最终勾勒出一段充满温度的精神归途、一首辽阔的低语吟诵。

  所谓“辽阔”，指向家与记忆共同编织的时间长度，从祖辈的旧木柜到孩童涂鸦的墙面，时间的缝隙里藏着无数未被言说的故事。画框成为一扇通往记忆的窗，于方寸之间窥见永恒，艺术以最谦卑的姿态，将时间的无垠收纳进颜料的肌理褶皱里，或终将于地毯的经纬间、屏风的阴影里，生长出新的根系。请允许目光变得缓慢、侧耳倾听，那些潜伏在笔触间的“低语”正在呢喃，那是与家有关的记忆在回响，是情感在细微处的共鸣。

  《辽阔的低语》是一首关于家与记忆的抒情诗，通过艺术的凝视，把居所转化为承载记忆的容器，让时间的重量与情感的轻盈在此交汇。作为一家新锐画廊，瑀空间自2023年成立以来，始终关注艺术与生活之间的边界，在当代艺术与不同语境之间搭建对话的平台。瑀空间不断发掘具备独特语言与长期潜力的当代艺术家，推动艺术与日常、个体与社会之间更紧密的连接，打造一个开放多元且富有温度的艺术生态。Delvis，作为意大利艺术家具品牌，一直致力于将生活美学与艺术实践融合。品牌植根于“空间即叙事”的哲学，认为居住空间是一段不断演进的故事，每一个空间都是一个篇章，讲述一段感受、印象或旅程的回忆。每一件产品通过材质、色彩与肌理，打造出具有文化厚度与精神温度的生活环境。

  此次双方的合作，让艺术自然地栖居于生活之中，共同打造“家”的精神场域。艺术从传统的“白盒子”展陈延伸至真实的“家”中，拓展了作品与观者之间的互动方式与展示边界——在家的低语中，聆听艺术的辽阔回响。而当我们站在生活与艺术的临界点上，或许会听见那些被文明驯化的器物、材质、甚至是光线，正在用另一种语言复述着：所有崇高的诗意，终将栖息于人间烟火最精致的纹路里。

  关于艺术家

  陈梓骐

  陈梓骐，现工作生活于纽约，2025 年毕业于帕森斯设计学院纺织品设计专业，获硕士学位。她专注于金属编织和 3D 打印纺织品，曾与多个知名品牌合作，作品在纽约时装周受到广泛关注，现为 SDA（美国纺织设计师协会)成员。陈梓骐的作品是对世界的深刻理解，她在混沌与秩序之间探索材料与技术，为无形的思考赋予形状。她的创作实践根植于对传统工艺与新兴技术之间关系的持续探索，寻求这些领域交汇的新表达方式，将纺织视为一种语言，编织时间、记忆与思想。受中国传统工艺、数学结构以及日常生活的启发，陈梓骐相信每一根线都承载着智慧与潜⼒，构建物理结构的同时也蕴含感官与时间的维度。她的创造力源于细致的观察与反复的实践，关注材料与技术之间的跨学科对话，努力在手工与机器之间找到动态平衡，让技术的精确与⼈类的温暖共存。

  黄龙

  黄龙，1994年出生于北京。2017年毕业于美国犹他大学，获得纯艺专业艺术学士学位。2021年毕业于英国中央圣马丁艺术与设计学院，获得纯艺专业艺术硕士学位。黄龙的绘画呈现了前意识下，创作从文字过渡为图像的诗意自我填充过程。他在图像与文字，空间性（静止）与时间性上寻求一种不稳定的平衡，以及二者作为相反概念存在的同时性。

  林懋

  中国美朮学院美朮学书法专业博⼠，中国书法家协会会员。在创作的同时，林懋喜鉴赏与收藏，经常参与世界各地著名艺朮展，并收藏了多国艺朮家的古典与当代作品。曾⽣活于伦敦、新加坡、⾹港，遍游欧洲、北美、亚洲、⼤洋洲和⾮洲多个国家与地区。丰富的经历为其创作带来⼴博的视野、多维的灵感和独特的视⻆。⾃幼受家教及传统蒙学，遍临诸体碑帖，⽇课不辍。曾在全国书法⽐赛多次获奖，包括⼀等奖。时年⼗七岁加⼊中国书法家协会，为当时全国最年轻会员。林懋曾于国内外重要机构参加展览，作品由艺朮组织、国际⾦融机构和私⼈藏家收藏。展览和藏家所在地域包括美国、英国、法国、荷兰、⽇本、韩国、中国、⾹港及台湾。

  楼烨

  楼烨，1993年出⽣于浙江杭州，先后获得中国美术学院学⼠及硕⼠学位，现⼯作⽣活于杭州。楼烨的创作以传统的中国画材料绢本为载体，以⼯笔画的晕染⽅式表现她对于⽣命物的⾮现实景象探索。她的作品不只是对⾃然图像的简单模仿，也有别于传统中国绘画中的类型化呈现，⽽是将⾃我的⽣命感知融⼊绘画中，使之成为⼼理经验与思维理念的独特映射，呈现在绢本之上。

  孟阳阳

  孟阳阳，1983年出⽣于重庆，2009年毕业于四川美术学院油画系，获硕⼠学位。现⼯作和⽣活于上海。学习综合材料出身的孟阳阳在创作中始终试图打破绘画、雕塑和装置之间的界限。她使用各种材料让绘画的边界变得模棱两可，既是画框又是画布。孟阳阳的作品以独特的视角展现了当代城市中人物的内在世界，将写实与写意、虚构与现实融合，充满了梦幻般的叙事感，既具有一种怀旧的情绪，又透射出现代都市生活的复杂性和疏离感。

  于方

  于方，1989 年⽣于江苏南京。2011年毕业于中央美术学院壁画系。现⼯作居住于北京。他成⻓于全球化浪潮与本⼟意识觉醒交织的年代，他希望能够在对⽴中缓和⽂化冲突。“洞喻”系列作品通过东⽅园林窗洞的形式，窥⻅⻄⽅古典艺术。那些窗洞不再只是东⽅美学的符号，传统园林“移步换景”的语境下被解构成跨越⽂明维度的视觉叙事。

  周圆

  周圆1976年出⽣，2015毕业于伦敦艺术⼤学(University of The Arts London)切尔⻄艺术学院(Chelsea College of Arts)，获纯艺术硕⼠学位。现⼯作⽣活于深圳。周圆的创作⽅向多元，涵盖绘画、雕塑、装置、⾏为等多种形 式与⻛格，横跨具象与抽象领域。他的创作主要集中在陶艺和绘画，主题多与⼈体和脸部艺术相关。受到⽹络“表情包⽂化”的启发，他尝试通过作品探索⼈类的脸部与身体如何像“镜⼦”般反映和折射外部客观世界与内⼼情感的变化。他坚持直觉性创作，注重深度思考，却避免依赖过多逻辑推理，让作品在特定客观条件下⾃然⽣成。

  朱剑辰

  朱剑辰，毕业于⽇本武藏野美术⼤学。他的创作着眼于⽣命、技术和环境的互⽂关系，打破科学主义与超验领域的边界，并向瞬息万变的后⼈类时代下的我们发起提问。他善于将神话体系、分⼦⽣物学与哲学观念相互映射，创造出新的图像及观念可能。他以基因为灵感的作品系列“转译天显/Transenlight”获得⼴泛关注。他的创作⽬前以影像和装置为主，也涉及综合材料绘画。

  兹德内克·康瓦利纳

  兹德内克·康瓦利纳，1979年出⽣于捷克，1997年毕业于布尔诺⾳乐学院，成为⼀位职业芭蕾舞演员。2002年⾄2006年在休斯顿期间，康瓦利纳开始绘画，作品曾在休斯顿、多伦多、蒙特利尔和伦敦展出，并被多个机构收藏。2014年芭蕾演员退役后，他正式从事绘画，现居伦敦和柏林。

  康瓦利纳将多种概念和想法融⼊于作品之中，他巧妙地将身体运动、⼼理运动及隐喻性的运动以图像拼贴的⽅式结合。在作品中以独特的韵律探索着抽象构成的界限，并将⾃⼰过往的芭蕾舞经验与抽象表现主义绘画融合。康瓦利纳着重于过程本身，除了仰赖身体⼼智的即时反馈，他追求实践潜意识中的概念、思想、形式、记忆及提示等，并着眼于探究物质与精神的⽐例关系，展示了物理世界和数字世界之间的互动。

  Exhibition Vast Whispers

  Artist：Eva Chen, Huang Long, Lin Mao, Lou Ye, Meng Yangyang, Yu Fang, Zhou Yuan, Jansword Zhu, Zdenek Konvalina

  Duration：2025.8.2-2025.10.25

  Address：86 Sinan Road, Huangpu District, Shanghai

  About the Exhibition

  ASTRA ART, in collaboration with the Italian art furniture brand Delvis, will present a new exhibition titled "Vast Whispers" on August 2, 2025. This exhibition places contemporary artworks within the authentic home settings of Delvis's flagship store in Shanghai, sparking a resonance between art and daily life. It transforms living spaces from mere functional areas into vessels of emotions and memories.

  The exhibition features nine contemporary artists from diverse generations and contexts: Eva Chen, Huang Long, Lin Mao, Lou Ye, Meng Yangyang, Yu Fang, Zhou Yuan, Jansword Zhu, Zdenek Konvalina. Through various mediums such as painting, installation, and sculpture, they collectively explore the contemporary expression of "home" as a spiritual realm and emotional container within an Italian living space. The exhibition will run until October 25.

  If we consider "home" as an unfinished painting, each ray of sunlight adds a splash of color, and each waxing moon underscores the narrative of the canvas. We start with "home" as our focal point and use "art" as our radius, exploring the sedimentation of time within living spaces, the flow of memories across canvases, and the subtle tension between the intimacy of emotions and their public expression. Ultimately, this journey outlines a spiritually resonant return home and a lyrical ode to expansive whispers.

  The term "vast" refers to the timeline woven together by home and memory, from ancestral wooden cabinets to walls adorned with childhood doodles. In the crevices of time lie countless untold stories. The frame becomes a window into memory, allowing glimpses of eternity, while art humbly captures the boundlessness of time within the texture of paint. New roots may eventually grow among the weaves of carpets and the shadows of screens.

  We invite you to slow your gaze and listen closely; the "whispers" lurking between brushstrokes are murmuring memories related to home, resonating with emotions in their subtleties. "Vast Whispers" is a lyrical poem about home and memory, transforming living spaces into containers of recollection, where the weight of time intersects with the lightness of emotion.

  As a new and innovative gallery, ASTRA ART has focused on the boundaries between art and life since its establishment in 2023, creating a dialogue platform between contemporary art and different contexts. The gallery continually seeks contemporary artists with unique languages and long-term potential, fostering tighter connections between art and everyday life, individuals and society, and creating an open, diverse, and warm artistic ecosystem.

  Delvis, as an Italian art furniture brand, is dedicated to merging aesthetic living with artistic practice. Rooted in the philosophy of "space as narrative," the brand believes that living spaces are evolving stories, with each area representing a chapter recounting feelings, impressions, or journeys. Each product, through its materials, colors, and textures, cultivates a living environment rich in cultural depth and emotional warmth.

  This partnership allows art to naturally reside within life, collaboratively crafting a spiritual realm of "home." Art extends beyond the traditional "white cube" exhibition space into the reality of "home," expanding the interaction and display boundaries between works and viewers—listening to the vast echoes of art amidst the whispers of home. As we stand at the intersection of life and art, we may hear those civilized objects, materials, and even light recounting in another language: all lofty poetry ultimately finds its resting place in the most exquisite patterns of everyday existence.

  About the Artists

  Eva Chen is an artist currently working and living in New York. She graduated with an MFA in Textile Design from Parsons School of Design in May 2025. Specializing in metal weaving and 3D-printed textiles, Chen has collaborated with several renowned brands. Her work gained significant attention during New York Fashion Week, and she is currently a member of the SDA (Surface Design Association). Inspired by Chinese traditional craft, mathematical structures, and everyday life, Chen believes that every thread carries wisdom and potential, constructing physical structures while embodying dimensions of sensory experience and time. Her creativity stems from meticulous observation and iterative practice, focusing on the interdisciplinary dialogue between materials and technology. She strives to find a dynamic balance between the hand and the machine, allowing the precision of technology and the warmth of the human touch to coexist.

  Huang Long was born in Beijing in 1994. He graduated from the University of Utah with a BFA in Fine Arts in 2017 and from Central Saint Martins with an MFA in Fine Arts in 2021. His work explores the transition between text and image, creating a poetic form of self- expression in a pre-conscious state. He seeks to find an unstable balance between image and text, as well as space (stillness) and time, presenting these opposing concepts as coexisting.

  Lin Mao, Dr. of Fine Arts, Calligraphy, China Academy of Art ; Member - China National Calligrapher Association; Having lived in London, Singapore, Hong Kong, and traveled to many countries in Europe, North America, Asia, Australia and Africa, Lin Mao embeds rich life experience into his artistic vision, multi-dimensional inspiration, and unique perspective of his artwork creations. Since his childhood, Lin Mao has received rigid family education and traditional aesthetic training. He studied all major styles of Chinese calligraphy, from bronze engraving to manual scripts, from stone carving to paper. He won many awards in national calligraphy competitions, including first prize. At the age of seventeen, Lin Mao was admitted by the Chinese Calligraphy Association as the youngest member at that time.

  Lou Ye, born in 1993 in Hangzhou, Zhejiang, Lou Ye holds both a bachelor's and master's degree from the School of Chinese Painting and Calligraphy at the China Academy of Art. She currently lives and works in Hangzhou. Lou Ye's work uses traditional Chinese painting materials, with silk as the primary medium, and employs the meticulous gongbi painting technique to explore non-realistic depictions of living forms. Her works go beyond simple imitation of natural imagery and differ from the conventional forms of traditional Chinese painting. Instead, she integrates her personal life experiences into her creations, allowing them to become a unique reflection of her psychological and intellectual perspectives, expressed vividly on silk.

  Meng Yangyang, born in 1983 in Chongqing, graduated with a Master's degree from the Oil Painting Department of Sichuan Fine Arts Institute in 2009. She currently works and lives in Shanghai. With a background in mixed media, Meng strives to blur the boundaries between painting, sculpture, and installation in her practice. She employs various materials that render the limits of painting ambiguous, serving both as frame and canvas. Her works uniquely reflect the inner worlds of individuals in contemporary urban settings, blending realism with expressive forms and intertwining fiction with reality. This creates a dreamlike narrative quality, imbued with a sense of nostalgia while also illuminating the complexities and alienation of modern city life.

  Yu Fang was born in Nanjing, Jiangsu in 1989 and graduated from the Mural Painting Department of the Central Academy of Fine Arts in 2011 with a bachelor's degree. He currently works and lives in Beijing. He grew up in an era where globalization and the awakening of local consciousness intertwined, and he hopes to mitigate cultural conflicts through this duality. The ' 洞喻 ' (Metaphorical Aperture) series presents glimpses of Western classical art through the form of window openings found in traditional Eastern gardens. These openings are no longer mere symbols of Eastern aesthetics; within the context of the traditional garden’s "shifting perspectives" principle, they are deconstructed into a visual narrative that transcends civilizational boundaries.

  Zhou Yuan, born in 1976, graduated from the Chelsea College of Arts, University of the Arts London, in 2015 with a Master’s degree in Fine Arts. He currently lives and works in Shenzhen. Zhou Yuan’s creative practice spans diverse directions, encompassing painting, sculpture, installation, and performance, blending various forms and styles that traverse both figurative and abstract realms. His work primarily focuses on ceramics and painting, with recurring themes related to the human body and facial expressions. Influenced by internet “meme culture,” he explores how the human face and body can act as “mirrors,” reflecting and refracting the changes in the external world and internal emotions. Zhou advocates for intuitive creation, emphasizing deep contemplation while avoiding excessive reliance on logical reasoning, allowing his works to emerge naturally under specific conditions.

  Jansword Zhu explores the intersections between life, technology, and the environment, dismantling the boundaries between scientism and transcendence. His work poses critical questions to us living in an evershifting post-human era. He is adept at entangling mythological systems, molecular biology, and philosophy through art, creating new possibilities for image and ideas. Zhu's art spans digital art, film, installations and paintings. His artwork Transenlight series, inspired by genetics, has gathered widespread attention.

  Zdenek Konvalina was born in the Czech Republic in 1979. In 1997, Zdenek graduated from the Brno Conservatory in the Czech Republic and became a professional ballet dancer. During his time in Houston from 2002 to 2006, he began painting. In 2014, Zdenek transformed from a ballet dancer to an artist, now living and working in London and Berlin. In Zdenek’s works, he explores the boundaries of abstract composition with unique rhythms and integrates his past ballet experience with abstract expression painting, focusing on the process itself. In addition to relying on immediate feedback from the body and mind, he pursues the practice of concepts, ideas, forms, memories, and prompts in the subconscious, focusing on exploring the proportional relationship between matter and spirit.